The most faithful emulation of a modern yet legendary tube compressor/limiter – perfect glue for mixing and mastering.
There are several reasons to use a variable-bias tube compressor. One is the exceptional compression transparency that this kind of compressor can achieve, even when pushed into extreme gain reduction. Another – and perhaps the most common – is their ability to add cohesion or “glue” to buses, whole mixes and masters.
Unfortunately, the original hardware is expensive and difficult to integrate with “in-the-box” workflows. Software emulations exist but most owners of the hardware agree that they cannot be compared to the original unit, as there’s always “something” missing.
With its unique Topology Preservation Technology, Pulsar Mu sounds objectively identical to the hardware in every production context, and even makes improvements such as an increased signal-to-noise ratio.
Straightforward but extreme “British mode” compression – a faithful emulation of a uniquely modified 1176. All buttons in, all the time!
Smasher is an unprecedented custom modification of the classic Urei 1176 compressor circuit, a unique formula stumbled upon while fine-tuning other algorithms.
The original 1176 compressor hardware offered a selection of four ratios, but studio engineers soon discovered that pressing them all at once led to a distorted, explosive and highly compressed sound. It’s this “All buttons in” or “British” mode that Smasher was painstakingly designed to recreate.
While remaining very close to the original circuitry, the modifications built into Smasher will add definition to transients and make your tone more aggressive. Customers love using it to enhance the ambience in drum busses, but there are many more creative uses too. Smasher won’t work on every single track, but where it does, it works magic.
Smasher excels at raw and gritty sounds, calling to mind bands like Vulfpeck, The Whitefield Brothers and The Black Keys.